In the second part of the course, students will focus on creative writing in the format of their choice including practical instruction on editorial, revision and selection skills to construct a coherent portfolio of writing. This will be informed by studying the formal qualities of modern and contemporary creative writing as well as characterisation, narrative, plotting, dialogue as appropriate for different formats of creative writing (poetry, script and prose). In the first half of the course, students will develop a distinctive voice/style (by examining examples of contemporary work) in student’s chosen format of creative writing.
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Throughout the course, students will visit unique locations and learn how to harness different sources of inspiration within the City of Edinburgh for students’ own creative writing. Students will have the opportunity to discuss their own process in a reflective journal that will accompany their final piece/s of creative work. Students will receive individual feedback on their developing work during class and through one-to-one sessions with a specialist tutor. Students will be organised into small tutorials and workshop groups led by specialist teachers, who are experts in their field of creative writing. In the second part of the course, students will choose a format to express this with, whether it be through prose fiction, poetry, script or playwriting. He is also a lecturer in creative writing at the University of Glasgow.Ĭlasses will focus on examining creative processes and the role of revision in the writing process. nicky teaches a wide range of popular creative writing courses at the Centre for Open Learning at the University of Edinburgh including Experimental Poetry, Creative Non-Fiction, Short Story Writing, Starting to Write and Poetry in Practice.
In 2022, nicky served as a judge on the panel for the Janet Coats Memorial Prize at the Paisley Book Festival. nicky’s most recent books are a selected poems, Decade of Cu ts: new and selected poems 2010-2020 (Blue Diode Press), and ABBODIES COLD: SPECTRE (Sad Press), which explores the neoliberal and fascist elements of Brexit through the lens of ABBA songs, aliens and James Bond. His work takes aim at and interrogates the imperatives of capitalism, politics and ideology. He has been grafting on and in the margins for over twenty years, developing a range of publications in a variety of forms: found poetry, erasures, visual poetry, lyric experiment, process poetry and a badge. Nicky (nick-e) melville: Dr nicky melville is a poet, creative writing teacher, musician, and occasional artist with a PhD from the University of Glasgow. Recently she broke in YA with Fake News, a story based around today’s slack attitude to the truth. Caroline has been a Teaching Fellow at the Centre for Open Learning at the University of Edinburgh for over ten years. She has also written science-fiction, thrillers and romance. Her best loved fiction series, The Euphemia Martin’s Mysteries, about a young woman who, through no fault of her own, ends up as an agent in the SIS during WWI, now has a spin-off with The Hope Stapleford Adventures. She has had over thirty books published, seven plays performed and has a background in short stories and journalism. In fiction, as in real life, she believes that it’s only under times of pressure that human nature reveals it’s best - and its worst.
He has been teaching writing and film at the Centre for Open Learning at the University of Edinburgh for over 20 years.Ĭaroline Dunford: Caroline has a love of putting characters in a crucible and turning up the heat.
Douglas works regularly as a script editor and script consultant on UK film and television productions (credits include the multi-BAFTA award winning dramas Margaret, Small Island, Five Minutes of Heaven, Occupation, Killing Bono and ’71.) Douglas is Lead Practitioner for Moving Image Education in Scotland, working with Education Scotland to research and embed visual and narrative literacy into the national schools curriculum. Among their credits are the BAFTA award-winning Run, Tony, Run!, Mono (BBC Three Film Award), Waiting for the 42 and Half Way Home. In 2006, he set up his own production company.
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Douglas Dougan: After working as a journalist, Douglas began his screenwriting career writing for series television at the BBC, Channel Five and ITV (Casualty, Family Affairs, Doctors, Holby City, The Bill, River City).
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